PARIS: The AlUla Artist Residency Program made its debut in France during Art Basel Paris this month with “Orbis Tertius,” an exhibition showcasing the work of 20 international artists. The program was launched in 2021 by the Royal Commission for AlUla in collaboration with the French Agency for AlUla Development.
The exhibition is part of Arts AlUla’s global program to promote the ancient oasis city as an emerging hub for art and creativity. For millennia, AlUla was a key location for trade and culture — it is home to Hegra, Saudi Arabia’s first UNESCO World Heritage site, and was a stop on the Incense Road. AlUla’s pre-Islamic heritage and breathtaking landscape continue to inspire groundbreaking artistic expressions, as shown in “Orbis Tertius.”
Arnaud Morand, AFALULA, Curator, Orbis Tertius (2024). (Supplied)
Artist and photographer Louis-Cyprien Rials told Arab News that at the heart of his residency was “the almost-uncomfortable idea of being nothing in a place that seems eternal and easily reminds us of our insignificance.”
Located in the palm grove of Mabiti AlUla, and with a newly-opened artists’ residence in AlJadidadh, the program offers an ideal setting for artists to reflect on the role and methods of creative practice in the contemporary world. It encourages a dynamic dialogue between the artists, as well as with the local community in AlUla.
This residency program, according to curator Arnaud Morand, head of art and creative industries at AFALULA, is “unique.” The artists are enrolled by invitation only after submission of a portfolio and a letter of intent. The breakdown of nationalities is roughly half Arab, half international.
“The artists had to have an established practice of interest and relevant to us, working between past and future heritage,” Morand explained. “In the unconventional and intense context of this desert oasis, they were working closely with the local communities. Many had previous experience in collaborating with scientists and experts. Spending a minimum of 10 weeks on the ground was mandatory. The artists met and interacted with AlUla’s field specialists; archaeologists, geologists, anthropologists, agronomists, botanists, heritage conservatists and environmental workers. If this time commitment was not possible for them, their candidature could not be considered.”
It was Morand who chose the theme “Orbis Tertius, A Journey Between Fictions and Myths” for the show, inspired by the Argentine writer, Jorge Luis Borges, whose “Fictions” explores how our world can be better understood through a blend of ancient myths and legends and observed reality.
“AlUla reinvents itself every day as a fundamental utopia of the 21st century,” Morand said. “The residency program offers a framework for creatives to integrate and meaningfully engage with the bigger project. It also provides an insight into how the community processes change. Ultimately, it steers us in the right direction, drawing on the artists’ perceptions and questions while offering time and an unparalleled context to develop their practice.”
At Art Basel, “Orbis Tertius” was displayed over four floors of the gallery at 5 rue Saint-Merri, a stone’s throw away from the Pompidou Center. The works were not confined to a single medium. The 20 contemporary artists presented 43 works that included paintings, sculptures, videos, photographs, poetry, calligraphy, brickmaking, installations and live performances.
In pride of place on the ground floor stood the 4.5 meter “The Guardian,” an aluminum sculpture by Kuwaiti artist Monira Al-Qadiri, whose work examines nature’s hostile retaliation to human presence in the environment. Her totemic sculpture is based on the Calotropis Procera, a plant native to the region, which grows on arid soil, and can survive for up to three years without a single drop of water. The Calotropis Procera secretes a milky substance that Bedouin lore has it can cause blindness.
The Jeddah-born multidisciplinary artist Anhar Salem works primarily in film. Her “A Day in AlUla” is a series of eight subtly beautiful social portrait vlogs documenting a day in the life of local and foreign AlUla residents.
.A still from Anhar Salem’s ‘A Day in AlUla.'(Supplied)
“I had to choose between approaching AlUla through its landscape and history or through its social and public aspects,” Salem said. “I ultimately chose the latter by simply talking to everyone I met from AlUla.”
Brothers Abdulrahman and Turki Gazzaz live and work in Jeddah, where they founded the architecture, design and experimental research studio Bricklab in 2015. During their residency, the brothers used rammed-earth techniques to develop a resilient material for construction unique to the region. Combining sand collected from different parts of AlUla with concrete, epoxy and other artificial additives, the bricks condense the storied narratives that make up AlUla today.
Jizan-based Reem Al-Nasser bases her work on anthropological study and concepts such as time, space and astrology. During her residency, she created “Alma of the North,” a structure of brilliant steel gates ornamented with archaeological and astronomical symbols found in AlUla’s history.
Riyadh-based Ayman Zedani’s immersive video installation “The Desert Keeper” was a result of research he had conducted on a parasitic plant from the Arabian desert over the past few years. It can acquire genes from its host plant, thus assuring the survival of its offspring. His work combined footage of the plants with a computer-generated journey through the cosmos and a voiceover by the writer and poet Wided Rihana Khdraoul.
Ayman Zedani’s ‘The Desert Keepers.’ (Supplied)
“AlUla has long been a crossroads of cultures and a wellspring of creativity,” Nora Aldabal, executive director of arts and creative industries at the RCU, said in a press release. “With the AlUla Artist Residency Program, we are showcasing the extraordinary artistic vision flourishing in AlUla and demonstrating its power to bridge cultures and inspire dialogue.”
“Orbis Tertius,” she continued, was “a testament to incredible inspiration that artists and creatives discover in AlUla — a place where the world can connect with ancient history and experience contemporary artistic expressions. AlUla’s ambition for art, design and culture is to create a better future for the region, generating jobs and opportunities for cultural enrichment for those who live, work and visit there.”
